In South Boston, the state police force is waging war on Irish-American organized crime. Young undercover cop Billy Costigan is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello. While Billy quickly gains Costello's confidence, Colin Sullivan, a hardened young criminal who has infiltrated the state police as an informer for the syndicate is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by their double lives, gathering information about the plans and counter-plans of the operations they have penetrated. But when it becomes clear to both the mob and the police that there is a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy - and each must race to uncover the identity of the other man in time to save themselves. But is either willing to turn on their friends and comrades they've made during their long stints undercover? Written by
(at around 19 mins) Tom Kemp and Zachary Pauliks appeared in a flashback scene, in which Frank talks to Billy's father, as young Billy looks on. Although the scene was deleted, the actors appear in the picture that Billy gives to his aunt, and the actors are still listed in the closing credits. See more »
(at around 1h 28 mins) When Billy's phone goes off in the porn theater, it is on vibrate. However, in the alley when he is following Colin, it rings when he receives a text. The event is described in the script by William Monahan: "His phone has fucked up, as they do." See more »
Arm? What fuckin' arm?
[French pulls Costigan to a pool table]
Show me your arm. Flip it. mmhmmm, mmhmmm...
[French slams Costigan's arm on the table until the cast breaks, while Costigan screams in pain]
It makes me curious to see you in this neighborhood. And if I can slander my own environment, it makes me sad. This, uh, regression. Plus, I don't know if it's beyond some fucking cop prick like Queenan to pull you out of the Staties and send you gift-wrapped to me. I just can't know. I ...
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The title doesn't appear on screen until nearly 20 minutes into the movie. See more »
Please don't make negative comments like some of the aforementioned people have been doing if you haven't seen the film yet! I have seen it, at a press screening last week. Not only is it the best film of the year so far, it marks a return to form for Martin Scorsese, and ranks with the likes of GOODFELLAS as being one of the best in his canon of films.
I'm a fan of the Hong Kong film, INFERNAL AFFAIRS, upon which this is based. While THE DEPARTED keeps the basic structure of the original, it is very much its own movie, so much so that the screenwriter, William Monahan, didn't even watch the original film while adapting its screenplay, thus enabling him to infuse the script with his, and Scorsese's, respective visions.
All the actors are first-rate (yes, even Leo, for all you DiCaprio bashers out there), and turn in some of their best performances to date. THE DEPARTED is sure to garner a host of Oscar nods, if not wins, including (hopefully) Scorsese's long-overdue statuette for Best Director. Plus, with actors like Martin Sheen and Alec Baldwin playing supporting roles, that says a lot about the quality of the film they signed up for! THE DEPARTED is tough stuff, not for the faint-of-heart. That said, it is a must-see for adult viewers who long for intelligent, gritty stories to grace our movie screens once again.
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