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Afternoon of a Faun: Tanaquil Le Clercq (2013)

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Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike - her elongated, ... See full summary »

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3 nominations. See more awards »
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In a never-before-seen interview filmed in 2008, three years before his death, Sidney Lumet discusses his life and career.

Director: Nancy Buirski
Stars: Sidney Lumet
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Cast

Cast overview, first billed only:
Tanaquil Le Clerq ...
Herself (archive footage)
Jacques d'Amboise ...
Himself
Barbara Horgan ...
Herself, George Balanchine's assistant
Randall Bourscheidt ...
Himself, Tanaquil Le Clercq's friend (as Randy Bourscheidt)
Patricia McBride ...
Herself (as Pat McBride Lousada)
George Balanchine ...
Himself (archive footage)
Larry Mackenzie ...
Himself (archive footage)
Joya Moore ...
Herself (archive footage)
...
Himself
Arthur Mitchell ...
Himself
Allegra Kent ...
Herself (archive footage)
Suzanne Farrell ...
Herself (archive footage)
Virginia Johnson ...
Herself (archive footage)
Martha Swope ...
Herself, photographer (archive footage)
Marianne Bower ...
Tanaquil Le Clercq (voice)
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Storyline

Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike - her elongated, race-horse physique became the new prototype for the great George Balanchine. Her unique style, humor and authenticity redefined ballet for all dancers who followed. Amazingly, she was the muse to not one great artist but two; both George Balanchine and Jerome Robbins loved her as a dancer and a woman. Balanchine married her and Robbins created his famous version of Afternoon of a Faun for Tanny. Tanaquil Le Clercq was the foremost dancer of her day until it suddenly all stopped. On a tour of Europe, she was struck down by polio and paralyzed. She never danced again. Written by Director, Nancy Buirski

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Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

30 September 2013 (USA)  »

Also Known As:

Tanaquil Le Clercq: Afternoon of a Faun  »

Box Office

Opening Weekend:

$488 (USA) (25 July 2014)

Gross:

$172,120 (USA) (25 July 2014)
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Company Credits

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Technical Specs

Runtime:

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Did You Know?

Connections

Features The Red Shoes (1948) See more »

Soundtracks

Symphony In C Major: II. Adagio
composed by Georges Bizet
performed by Otmar Suitner & Staatskapelle Dresden
courtesy of Berlin Classics
courtesy of Concord Music Group
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User Reviews

 
Moving portrait of a great artist
14 October 2014 | by (United States) – See all my reviews

Even those with little or no interest in ballet will be moved by "Afternoon of a Faun: Tanaquil Le Clercq," a documentary about one of the finest dancers ever to grace the stage, one who, like Lou Gehrig, was struck down by a disease of unspeakable awfulness in the prime of her life (though, unlike Gehrig, she managed to live to almost 80 despite her illness).

A favorite pupil of famed choreographers, George Ballanchine and Jerome Robbins, Tanaquil, or "Tanny" to her friends. stood out from her ballerina contemporaries due to her unusual tallness and angular frame. The film chronicles her rigorous, sheltered youth, her tumultuous marriage to Ballanchine, her phenomenal success on the stage. And, then, just as she was on the top of the world professionally, tragedy - of a particularly cruel nature for a person used to making a living and perfecting her art with her body - befell her in the form of a severe case of polio, a case so severe, in fact, that she was forced to endure time in an iron lung and ultimately to spend the rest of her life in a wheelchair.

Through an abundance of stills and kinescope recordings, we get to see a great deal of Tanaquil's work. These are supplemented by interviews with those who knew Tanny both on a professional level and as personal friends. Most poignant are the recitations of the letters Tanny wrote at the height of her illness, many of them from a rehabilitation center where she was receiving treatment. Her resolve and inner strength, along with her almost naïve hope for the future, pour forth in great abundance from the writings.

One thing that strikes us most in Tanny's post-polio life is her determination to remain independent in the face of her disability. And, indeed, the movie ends on a high note, as we learn that Tanny spent the better part of her life imparting her priceless wisdom and insight to young dancers from her wheelchair.

The movie provides an inspiring portrait of an inspiring person.


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