An ambitious young executive is sent to retrieve his company's CEO from an idyllic but mysterious "wellness center" at a remote location in the Swiss Alps, but soon suspects that the spa's treatments are not what they seem.
First there was an opportunity......then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton (Ewan McGregor) returns to the only place he can ever call home. They are waiting for him: Spud (Ewen Bremner), Sick Boy (Jonny Lee Miller), and Begbie (Robert Carlyle). Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance. Written by
Sony Pictures Entertainment
Many 'flashback' scenes were cut from the final cut of the movie. These included more scenes of young Sick Boy and Renton as seen in the movie. They also included 'John Bell' as a young Spud, with actors Conor Mullen and John Gray as a young Begbie. See more »
When Renton and Sick Boy are performing on stage at the Protestant pub, the camera attached to Renton's microphone is briefly visible. See more »
Look, it's not the worst movie ever made, but it's one of the most pointless. The first was a force of nature that gripped you from the beginning and took you on an adventure in a world foreign to most of us. And it was hilarious, filled with unforgettable scenes and belly laughs. This sequel is a nostalgic, where are they know, look back at the main characters from the original.
It starts out choppy, never picks up a real driving force, and kind of meanders around until it finds a way to end. Begbie is supposed to be the villain that makes this thing move, but the rest of the crew aren't stupid kids anymore, and the fear he instills in the other characters just doesn't seem genuine. The Veronika character seems so forced. There's no groundwork laid to set up her relationship with Sick Boy or Renton. Her character is just too wise and put together to be a hooker hanging out with this sad lot of old junkies.
Trainspotting had a compelling dynamic based on doomed friendships of young junkies, and the attempt to escape the impending doom by the protagonist. There was a force driving the movie from start to end. And there were non-stop laughs along the way mixed in with junkie philosophy and trippy drug-fueled scenes. That's all missing in this sad sequel, which walks in the footsteps of its predecessor, half-heartedly mimicking it. I wish I had just watched the first one again instead.
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