A group of U.S. soldiers returning from Iraq struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they've left the battlefield.
A humble businessman with a buried past seeks justice when his daughter is killed in an act of terrorism. A cat-and-mouse conflict ensues with a government official, whose past may hold clues to the killers' identities.
International art dealer Ron Hall must befriend a dangerous homeless man in order to save his struggling marriage to his wife, a woman whose dreams will lead all three of them on the journey of their lives.
Bodies are turning up around the city, each having met a uniquely gruesome demise. As the investigation proceeds, evidence points to one suspect: John Kramer, the man known as Jigsaw, who has been dead for ten years.
Callum Keith Rennie
The story of psychologist William Moulton Marston, the polyamorous relationship between his wife and his mistress, the creation of his beloved comic book character Wonder Woman, and the controversy the comic generated.
DreamWorks Pictures' Thank You for Your Service follows a group of U.S. soldiers returning from Iraq who struggle to integrate back into family and civilian life, while living with the memory of a war that threatens to destroy them long after they've left the battlefield. Starring an ensemble cast led by Miles Teller, Haley Bennett, Joe Cole, Amy Schumer, Beulah Koale, Scott Haze, Keisha Castle-Hughes, Brad Beyer, Omar J. Dorsey and Jayson Warner Smith, the drama is based on the bestselling book by Pulitzer Prize-winning reporter and author David Finkel. Jason Hall, who wrote the screenplay of American Sniper, makes his directorial debut with Thank You for Your Service and also serves as its screenwriter. Jon Kilik (The Hunger Games series, Babel) produces the film, while Ann Ruark (Biutiful) and Jane Evans (Sin City) executive produces.
Scott Haze confined himself to a wheelchair for a solid month in preparation for the role of Michael Adam Emory. See more »
When Schumann and Emory are driving "fast" in the Dodge Challenger, the interior shots of the car show 4 doors. The Dodge Challenger is only 2 doors. See more »
I thought you were fine. You're lying to me, I found your VA questionnaire, everything's a lie! You're sick and I can't do anything if you don't fucking talk to me, Adam!
I have to be sick or I can't get my benefits.
So you don't want to die? It was multiple choice and you said you wanted to die. Was that a lie? Hmm? Adam?
I don't know.
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A portrayal of the effects of war on today's soldiers.
I viewed this movie at the suggestion of a family member who had served in Afghanistan. I'm glad I did -- it is a wonderful movie of the struggles of the modern, professional soldier. There were no "impossible" scenes of war or family life. Nothing was fantastic or even out of the ordinary. This could have all played out in your home town. This is the story of three fellow soldiers, comrades-in-arms, after their return to civilian life. The acting was realistic. The women who played the wives were totally believable. Well, so were the guys. The scenes not preposterous no crashing police cars, no hail of bullets from which the lead emerges unscathed. The audio was EXCELLENT (which is not true for any number of modern movies); The ordeals and anxieties of these vets kept the story line well within reason but perhaps a bit compressed. The Veterans Administration was painted in a horrid light to be fair, the counselors were seen as helpful but the staff as uncaring. I want to believe the point was made that the problems with the VA are systemic and from lack of funding hence the movie's title. The officer corps was condemned several times by buffoonery and indifference, not an uncommon theme in any movie dealing with the military. I believe it would have played better with more balance, one caring officer, for example. While heavy on coarse language, cursing, and graphic sexual profanity, it wasn't "over the top" for soldiers' "manguage." The very few sexual scenes were largely off camera. The "R" rating must come from the expletives and subject matter. I saw "Coming Home" soon after returning from Vietnam. That was an anti-war movie. This is not anti-war, but it is a political movie. This is a film about those veterans who are not supported by the psychological services of the VA. It impels the viewer to contact his elected officials to implore them to solve the problem.
5 of 7 people found this review helpful.
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