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Kingsman: The Golden Circle (2017)

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When their headquarters are destroyed and the world is held hostage, the Kingsman's journey leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy.

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Cast

Cast overview, first billed only:
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Kingsman Cab Driver
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Princess Tilde
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Brandon
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Liam
Tobi Bakare ...
Jamal
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Charles
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Angel
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Arthur
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The King of Sweden
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Storyline

After the Kingsman headquarters are blown up by a psychotic criminal named Poppy Adams, the surviving agents find their way to an allied secret organisation based in Kentucky, named Statesman. The two agencies must now work together in order to save the world and take down the so called 'Golden Circle'. Written by Viir khubchandani

Plot Summary | Plot Synopsis

Taglines:

Reports of my death have been greatly exaggerated.


Motion Picture Rating (MPAA)

Rated R for sequences of strong violence, drug content, language throughout and some sexual material | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

22 September 2017 (USA)  »

Also Known As:

Kingsman 2  »

Filming Locations:

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Box Office

Budget:

$104,000,000 (estimated)

Opening Weekend:

AUD 5,716,906 (Australia) (24 September 2017)

Gross:

$99,785,557 (USA) (21 November 2017)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Both Julianne Moore and Emily Watson starred in a movie about Hannibal Lecter. Moore starred in Hannibal (2001) as Detective Clarice Starling and Watson starred in Red Dragon (2002) as Reba McClane. See more »

Goofs

While descending on out of control the ski lift, the high speed spinning of the lift would have caused it to act as a gyroscope. Rather than swinging back and forth like it was it would have stayed in a fixed position. See more »

Quotes

[Poppy cures Elton from her toxin with an antidote: Elton gains mobility again]
Elton John: What have you done to me, you fucking bitch?
See more »

Crazy Credits

The "Take Me Home, Country Road" musical theme is heard over the opening logo. This foreshadows the song being used at a pivotal moment in the film. See more »

Connections

References Goldfinger (1964) See more »

Soundtracks

Rocket Man
Written by Elton John & Bernie Taupin (as Bernard Taupin)
Published by Universal/Dick James Music Ltd.
Performed by Elton John
Courtesy of Virgin EMI Records Ltd.
Under license from Universal Music Operations Ltd.
See more »

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User Reviews

 
It feels like the fifth film in a franchise struggling to maintain it's relevancy, not like the follow-up to what was perhaps the most promising new property in Hollywood.
29 September 2017 | by (United Kingdom) – See all my reviews

It's essentially all a big joke played on those who took umbrage at the few select sexualised moments from the final act of the first film, a joke whereby everything is consistently ramped up to eleven regardless of its negative impact on the story in a standoffish move meant to further separate the apparent 'critics' from the so-called 'fans', a move that only successfully provides both categories with a much worse experience, because while I and many other 'fans' didn't mind (or at least excused) the passive, clearly satirical crude jests and occasional absurdity of the original picture, we certainly didn't want a follow-up based entirely around what would obviously be considered the weakest aspects of the piece - elements which were only mitigated by the joyous fun found in the brilliance of the other parts such as the subtle yet witty satire and the very well developed characters, pieces of the puzzle now missing; though it is at times passively entertaining, what we're left with is a fairly by-the-numbers 'save-the-world' plot and a string of odd action set- pieces seemingly incompetently put together, with abhorrent use of rampant speed- ramping making it literally look like someone hit the fast-forward button and haphazardly stitched-together short takes that are supposed to make some sequences look like one fluid shot but instead make them look like cheap cartoons - in his quest to ignore the naysayers, Vaughn disappointingly squanders all of the good-will he had built with his predecessor and bizarrely wipes the slate clean relatively early on, wasting time setting up a less interesting new set of characters instead of working with the better characters already expertly established at the end of the prior title, while also reintroducing a previously dead character (seen in the trailers), after making him an amnesiac no less, in a move that should be reserved only for a waning franchise at least five films in that's struggling to maintain it's relevancy, not for what was once perhaps the most promising new property in Hollywood. 6/10


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