A famous writer announces that she intends to end her life and male writers may compete to become executor of her estate. Men drive up the mountain and are challenged intellectually and erotically, until one discovers Maya's end game.
With his marriage and career against the ropes, dejected author Jack Spencer travels with his wife, Amanda, to an isolated glamping retreat in search of a spark. When a surprise double ... See full summary »
On the morning of Election Day 2016, Americans of all stripes woke up and went about living their lives. These were the hours leading up to Donald Trump's unexpected, earth-shaking victory, but, of course, no one knew that yet.
Kirsten Dunst described her role as the most challenging part she has ever done, even more challenging than her acclaimed roles in Lars von Trier's Melancholia (2011) and the television series Fargo (2015 season). See more »
I thought this looked like Melancholia from the trailer so I was immediately intrigued. I love Kirsten Dunst, I find her very attractive and think she's quite underrated (please see Melancholia and Fargo Season 2 before disagreeing). I generally love independent films that focus on visuals and the aesthetic component of film so I thought I would be in for a treat with Woodshock. Unfortunately though, there is very little to write home about here.
The film is about Theresa, who recently experienced a tragic loss in her life. She is quite clearly emotionally sunken from the loss and takes a mind and reality altering drug that takes effect on her life. I wish I could say more about the film but its really hard to grasp or explain what else was going on. This isn't even a confusion in a good way. The film has nothing logical going on and doesn't even feel real. It tries to mimic profound films of a minimalist nature but fails to capture any interest or compassion for the work.
The filming style is worth viewing. Kate and Laura Mulleavy certainly have an eye for cinematic style. The use of superimposition was a huge favorite for this one. Neon lights, hazy atmosphere, and a powerful score also make the technical aspects of the film to look and feel top notch. The film does feel in tune with its drug fueled high atmosphere. That's really it. I think Kirsten Dunst is really good in this. She has really mastered the role of a depressed, grief encompassed woman. She's not at fault for the films shortcomings.
While I think Kate and Laura Mulleavy impressed with their style, their writing needs more work. Its hard to care and really follow what's going on. I am a patient person for films like this but they have to have a real impact with its minimal story. This film unfortunately does not do that and was a frustrating experience. Definitely not worth the time and effort.
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